So, you'll have to forgive me if I don't focus too much on today's hiking, where we returned to Beauport and explored the ruins of the old port facilities. It was a great hike, passing through old-growth forests that I didn't think still existed on Grande-Terre, most having been replaced long ago by agriculture in the form of sugar cane fields for obvious reasons. We saw small indications of where the old rail lines had once run, passing all along the length of the trail down to the coast, for shipping out sugar, or receiving factory materials, as well as crumbling cement buildings twisted up with rusting metal rebar. There was even a sheltered picnic table on the waterfront, where we snacked for a moment on trail mix, and watched a family of cats roll around in the jungle, clearly very at home. All this was great, wonderful, a beautiful experience, but it gets overshadowed by the events of this evening, which I will try to describe as vividly as I can, because I know that even that won't do it justice.
Let me set the stage: Remember how I mentioned that we had finally found our chicken guy, a strange dancing man on the side of the N6 highway, who gave us a complimentary bunch of bananas? We returned today, after our hike, to pick up more chicken, and this time he gifted us a beautiful perfectly-ripe pineapple. He also mentioned that tonight he would be making "colombo", a traditional Guadeloupean curry dish. So I asked what time, he said 6, and I replied great, see you tonight. Now, you can understand how I would take this to mean we'd be returning at 6 to purchase a take-out dish of colombo for our dinner. This is NOT what the dancing man meant. Upon returning from the beach at 6 pm, covered in sand and on our way home to shower, we stop by to pick up our colombo. The dancing man, who shall forthwith be know as Papi, sets out two chairs at a table covered in a plastic tablecloth that he has
just cut, insists we sit down, and brings us each a plastic cup of Ti'Punch. He goes and gets himself a beer instead, (because he is hot, and rum just makes him hotter) toasts with us, then returns to his kitchen to
start the colombo. Uh oh.
(At this point Mario and I knew we were in for something "special", so I took out my notebook and started scribbling down all my observations. I'll interject explanations as the need arises. And it will.)
In a large cookpot on the floor, he tosses chopped onion, garlic which he has smashed with force on the counter. I see smoke rise from the pot. Then he stirs it with a wooden spatula, and he tosses in the contents of a second pot - maybe broth, I don't know (It was the poached chicken and poaching liquid, likely also containing the colombo spices).
Loud music is playing and Papi interjects his own lyrics in the chorus.A rice from a large bag gets poured into another pot on the floor (seems Papi has more than one propane burner set up on the floor, I did not see this one, but the rice had to be cooking on something, so this is my assumption). I notice a string of photos lining the "bar" - photos of people clearly performing on stage. Who could they be, and what is their relation to this mysterious man?
Papi picks up on our accent, begins debating history with us, how France sold Quebec for sugar, to keep Guadeloupe and Martinique. Turns out Papi know a little history, a little politics, though it might be a little mixed it - then he goes into a speech about how we are all living on a "volcano", like Hawaii, that will eventually explode, and it is rumbling under our feet, especially in Port-Louis. (Now, you can easily read this as both an actual volcano, or a metaphor for something else, given the political unrest in Guadeloupe right now. Either way, Mario observed at this point that he didn't realize we were getting a sermon with our Ti'Punch tonight!)

I inquire, and the mysterious musician photos above the "bar" ARE of the musical group Kassav', the first group to get Gwoka music recognized internationally. Apparently Papi knows / is friends with most of the members of the group. At this point, our empty cups are whisked away from us, and refilled with a second rather generous on the rum Ti'Punch. Papi complains that his other table has not arrived, but that he doesn't care, as he will charge them for their meal anyways. The colombo is still stewing away.We notice sausages hanging in the kitchen, which Papi says are andouille. Mario observes that he recognizes andouille from Louisiana, in dishes like jambalaya that have a creole influence...oh, that makes sense.
We discuss the amount of people we see on the beach compared to the amount we have not seen in town. Papi informs us that, because of the sargasses(seaweed), all the tourists from Sainte-Anne and Gosier and Saint-Francois make their way out to Port-Louis, to arguably the most beautiful beach on Grande-Terre to spend their days. They eat at the food trucks because it is cheaper. They shop at the beach stalls because it is cheaper. Then they drive back to their posh apartments and villas and hotel rooms, leaving poor Port-Louis in the dust. This is why nothing is open at night, why all the restaurants have closed, why the beach area has changed so much in the past 5 years, and the town so little.
Oops. Dropped the pot lid - it hits the floor with a clang.
We watch as people drive into town. Having seen the beginnings of a barricade set up in town, across the road and in front of the Mairie, I can't help but wonder if any of these cars are heading that way to help. Will they set the tires on fire? Will we hear about it in the news tomorrow? Should we maybe have skipped all of this and headed to the safety of our rental instead? I take another sip of Ti'Punch and promptly lose all those questions in an alcohol-infused fog.Turns out, Papi started this restaurant work after having served in the French military, He used to own a food truck, and always set up his grill next to the Poisson d'Or restaurant down by the waterfront. He thinks that he maybe remembers us from 5 years ago, but he also seems to be in an alcohol-infused fog, so who knows?(I do remember a grill in the alley next to the resto from our last visit to Port-Louis, but I certainly don't remember Papi!)
Turns out, the colombo is delicious, just a little bit spicy and perfectly seasoned (Papi does check this occasionally in the back, and re-checks with us once he's serve us)
. He's got 2 tables set up, and table 2 finally shows up around 7:30, with their own bottle of rum, already half empty, and fresh limes in hand. Papi introduces the man as the most famous actor in France(I laugh).
Is it true? I have no idea, but he acts like a lot like Mr. Bean, over-exaggerating his comedic movements and making funny faces and such. What a curious cast of characters roll in and out of this place!Mr. French Actor (whos name is Michel) makes the rounds, fills up my glass again, so now I am drinking straight 50% rum. "Ça vient du coeur, " he says. The music playing is one of the songs we've heard repeated over and over on Accuradio's Zouk station, so Mario and I belt out the lyrics, "Il a volé la casquette de maman".
As more info is reavealed, I glean that Michel's father was the famous French actor (maybe),
but I still don't know who that is. I think maybe something Ernest, but the music is so loud, it's hard to understand anything being said...Regardless, Michel is an absolute riot! He points repeatedly at the photos above the bar, a man in a guitar, then to Papi, insisting Papi play his guitar, because he is so good...Did Papi used to play with Kassav'? Was he a part of the band? Either way, he flat-out refuses. "C'était trop dangereux la musique." He says. Seems it lead Papi down some pretty dark paths once upon a time. Michel(or French Bean) seems to think Papi was part of the group - keeps insisting his playing is magic. Papi still doesn't want to get his guitar.
Our plates are empty, our stomachs full and we are laughing our heads off at the conversations happening around us, with Papi, French Bean, and now Patrick, an on-strike mail carrier who stops by for a smoke, and is very insistent on showing us photos of his daughters and grand-daughter on his phone. He tries to scare us by remarking that it is now 3 minutes past curfew (yes, we broke the 8pm curfew, but we were only half-way through the meal, and couldn't figure out how to make a getaway without insulting our host, so we took our chances) and that we are all in trouble, but he doesn't care. He also won't stop remarking how pretty my eyes are - then how pretty Mario's eyes are...(Upon later research and news-browsing, I discover Patrick in a video news report regarding the striking postal workers of North Grande-Terre - turns out he is the official spokesperson of the movement!) A little later, French Bean and Patrick start dancing together, shirts up, bellies showing. Why? Who knows. Things are starting to get a little surreal. Finally, Patrick wanders off, after having bought a couple of cigarettes from Papi.
We witness a string of people stopping in at Papi's, mostly to buy a cigarette or two, sometimes a couple of bottles of Heineken. I think Papi is the local "go-to" guy - you need something, Papi has got it, and he's open late, too. Papi seems a little shady, but just shady enough to not be dangerous - at least, we hope so. (It does illicit a few questions that nether of us verbalizes during the evening, only once we are safely home and rehashing the evening's events together)
Big chunks of watermelon get served up for dessert, cut with a really big knife right on the table. Papi insists we don't spit out the watermelon seeds, but that we should eat them instead, because spitting them out would be wasteful, and a waste of time. After "dessert" Papi gets us all up dancing, repeating the same slow song over and over and over again. Feeling the evening winding down, we try to ask Papi for the bill, and he, of course, evades the question. French Bean slips Papi some unrevealed amount money (he's been here before and knows the procedure),
bids us good night, and away he and his wife go, likely to return tomorrow. Seems they come here often. Papi then begins to start closing up shop. Mario and I help put away the chairs, stack the 2 tables, but can't seem to get Papi to divulge the total of our bill - it is starting to feel a little like Hotel California, where you can check out anytime you like, but you can never leave. Finally, we get an answer from Papi, "because I like you, 25 for you, and 25 for her, " he tells Mario. Well, there you have it, the price of all that fun. It was almost expected - when stuff flows that freely, you're likely going to get hit with a big bill, or a surprisingly small one. (Mario later told me he felt this was going to be an expensive night when he sat down. Ends up we payed 50 euro, about $75, for a meal we later calculated should have cost about 26 euro when compared to similar meals we've had here.)
Papi of course hands us a lovely parting gift, a quarter of the watermelon he hacked up on our table, and tries to encourage us to return by dragging out frozen pans of seafood that he insists is very much in season now, and that by next week will be "interdit" - forbidden. Neither one of us bites, and we manage to escape without the promise of a return visit.
So, you can imagine after a night like that, we were reeling a little when we got back to the rental. It had been a great night, if jus a little bizarre, and got ruined by the over-inflated price tag. We knew we were going to be paying more for the colombo, and the drinks, and the show - for lack of a better word - but not as much as we did. I unfortunately did not notice how much Michel handed over, though he did show up with his own rum, so maybe that helped? Regardless, it left us feeling a little sad about the whole evening. We had had so much fun, and it all got a little ruined by Papi taking advantage of our generosity. Needless to say, we won't be heading back there again this trip, not even for our lunchtime chicken legs - we don't want to have to answer to Papi. But, then again, it does give us a great story to tell.