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So I have determined that I do not like museums of Modern Art. Sure, there are some things that I find intriguing - give me a Salvador Dali, Picasso or Magritte any day, and I love a good pop art by Warhol, or even some Jackson Pollack splatters. But tell me, is it just recently that modern art became an excuse for artists - no, activists - to use any medium to convey a message, and that message have ABSOLUTELY NOTHING TO DO with the art itself?! Our walk through the Tate Modern became an exercise in "Guess the artist's message". Holes burnt into rolls of ratty-looking beige carpet, or a recorded video of sweat dripping down a hairy man's chest projected onto a pool of sand, both conveying the struggles of the indigenous people. Several rooms filled with speakers playing a piece orchestrated using the calls of South American birds, though impressive and complex, were created from the artist's reaction to reading and article about Russian submarines dumping nuclear waste. I mean...WHAT?! I just don't get it. Please tell me - is it just me?
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Ah, the Globe Theatre - home of Shakespearean entertainment. Once upon a time, wayyy back on a high school trip in the last millennium, when this place was close to completion, there was a possibility to help finance the construction by way of "purchasing a brick", for a measly 2 pounds. Of course I got one, so I wanted to know of there was some was of finding said brick now. I think my inquiries fell on deaf ears, however, as I was pointed to the outer courtyard to search the paving stones on the ground, where names like John Cleese, Richard Dreyfus, and the entire country of Japan were inscribed. I highly doubt that one, my measly 2 pound donation would get me one of these large stones, and two, that my name would figure along side these great names! (though it did make me laugh)
We opted to enjoy tonight's performance as Groundlings - the common folk that get to watch from the floor, interact with the actors on stage, and perhaps toss rotten tomatoes or cabbage when the play is not too our liking. Okay, maybe not that last part, but the idea is generally the same, and you can't beat the 5 pound ticket price! And with a play like Much Ado About Nothing, a Shakespearean comedy if there ever was one, it was the best location to truly enjoy the play. The actors were phenomenal in their delivery, and their physical performance really highlighted the script - giving sideways looks down to the crowds, playing off the reactions, often creating their own little side stories to follow during the main storyline. They ran and jumped from the stage into the crowd and then back out the rear exits, only to bicycle their was back in, or attempt to climb back up and require someone's help and a little boost. At one point, one of the actors is trying to evade the authorities, dresses an audience member in his jacket, and as the police is distracted, he runs over to us, and ducks behind Mario. Mario taps me on the shoulder, and as I turn around, he points to the actor, who waves sheepishly at me at winks! How can you NOT get engrossed in a story that does everything to involve you in it! It was a fantastic night of theatre, and I dare say, the best I've ever experienced.
We walk across the Millenium bridge in the chilly night air, over all those people still waiting patiently in their queue for their turn with the Queen. We duck into the warmth of the Underground, and catch the next train back to Aldgate East.



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