Bonne Saint-Jean tout le monde! It's a rainy, wet start in Schenectady - maybe the sky is crying because we ran away from all the Québecois festivities, but honestly? It's just not our style.
The king-sized bed at the Red Roof Inn is comfy, but an early start is necessary for us to enjoy our day to the fullest. So is a good breakfast, which we find at the nearby IHOP - International House of Pancakes. And guess what? We had pancakes - well, Mario does, piled high with cinnamon bun topping, and a mountain of whipped cream that slowly melts its way off the side and onto the plate. I instead opt for a savory burrito bowl, with scrambled egg and hash brown base, and topped with avocado, salsa and sour cream. I think Mario is jealous of my breakfast, so I share my fruit with him, to make him feel more healthy.

We finish the trek to New York City in the rain. Which is good - we expected rain, we just hoped that it would leave us alone once we started touring, so we cross our fingers while arriving at our new hotel this year, parking the car, packing our day bags, and hiking to the bus stop that will lead to the bus that will lead to Manhattan and all of its skyscrapers. And lo and behold, it does - we disembark, walk up 42nd to Broadway and
The Square of Time (our running joke for the weekend), and there is but a drizzle falling now. We head to TKTS to see if we can score some cheap tickets for Broadway. We have some bought for tomorrow, to see Hamilton, but sometimes you can find some good deals at the last minute. Nothing jumps out, so onward we head, up 7th avenue towards Central Park, pausing a moment to grab a slice(or two) at Famous Original Ray's Pizza. We sit under a skinny awning, folded slice in hand, as the rain starts again, but not for more than 5 minutes and we are back out again, entering the park.
The walk through the park is lovely, as usual, following along the dirt paths weaving their way between garden and forests, under tunnels and around playgrounds. We pause in the shade near the Conservatory Water, a little pond that sometimes has little boats floating on it, and examine the Alice in Wonderland Statue, wondering if maybe someone has tucked a hidden message under her toadstool. We exit the park near the museum, where we head inside.
Option 2 for the evening(or maybe 1?) is something called "Date Night" at the Metropolitan Museum of Art (the Met). You go to the museum as you normally would, but there is the added bonus of live music, drinks, snacks and gallery chats. We get drawn in by this added bonus, thinking it will maybe be an exclusive, possibly adult-only event, but no such luck - the museum is absolutely teeming with people, even at this late hour of the afternoon. I guess the fact that it is Saturday doesn't help. We try to head in the opposite direction of the flow of traffic, but there is too much traffic to contend with, so we just head as far away from the main attractions as possible. We tour the Greek Statue galleries. We gawk at some bronze jewelry and glass vessels in the Etruscan galleries. We walk through the Medieval galleries, examining intricately carved wooden beads for Christian devotees, and statues of the virgin Mary with eyes so creepy they could pierce through your soul.
|
|
|
|
|
|
|
We head to one of the cafes meant to be serving these elusive "drinks and lite fare" promised as part of date night, and though we do come away with gourmet chips, prosecco and a brownie, they are not any different than what is served normally. The combination is fantastic, mind you, and certainly makes the experience seem more "fancy". In the nearby European Sculptures hall, a rather energetic singer performs broadway songs, accompanied only by a pianist. A crowd has gathered, and he plays off of their energy, spinning around and gesturing grandly, his light black caplet flying out behind as he does so. We instead head to the Van Gogh special exhibit on his love/obsession of cypresses.
 | | A letter from Van Gogh to his brother |
|
|
|
|

If you know Van Gogh, you likely know his two big paintings: Starry Night and the Sunflowers. He's got plenty of others, and this exhibit covers a 2-year period of his time in Arles, France, when he studied the colours of the countryside and developed a passion for painting its tall, stoic cypress trees. We see various sketches of scenes, along with their follow-up painting done in oil on canvas. We take a close look at his letters to his brother, Theo, speaking of his time in France, his love of the landscape, and his need for more supplies to be mailed his way. We marvel at his work done first in observing a scene before him, and then a second time, more methodically and careful, brushstrokes thought out and placed very deliberately. When you can look at a Van Gogh painting, you can feel the wind moving through the grasses, blowing through the trees, and playing in the clouds in the sky. You can see the movement he was seeing, and that's what makes his paintings so spectacular.
Here, we can see his famous Starry Night, but like any famous painting, there is a crowd with cell phones pointed at the work, snapping away, then walking away and examining the photo instead of the art. And with so many works to examine, Mario and I spend as much time as possible with every other piece instead of Starry Night. When you can get so close, you can see the brushstrokes Van Gogh placed on the canvas - well, that is something else.
We also visited the Karl Lagerfeld retrospect, the exhibit designed in association with this year's Met Gala, where all the famous stars walk up those magnificent stairs in magnificent dresses and suits? Yeah, that one. The exhibit, besides showcasing a lot of Lagerfeld's signature pieces of fashion, also offered a glimpse into his creative process, showing his conceptualization of a garment with marker on paper, adding scribbled notes, and then handing off the sketches to his team of premières, seamstresses that could then turn those scribbles into a marvelous dress because they knew exactly what Lagerfeld wanted. It makes me wonder who the true genius is in the whole creative process - Lagerfeld, who comes up with the idea, or the women behind the fabrics and sewing machines, scissors in hand, mouth full of stick pins, who could see the final garment in those sketches?

After a slow walk through a few more galleries, we exited the Met, headed out onto the steamy streets of the Upper West in search of Shake Shack burgers. They are our go-to meal when in NYC, because they are so delicious, and we can't get them at home. But as we walk down Columbus in search of the restaurant, we spot what looks like a Mexican place next door, with outdoor seating and colourful flags hanging overhead, and decide to look at the menu. It took me 2 seconds and one glance to see everything looked delicious on that page, so we took a seat.
 |
| Creamy grilled corn with cotija cheese |
Covacha, Nuevo York, meaning "hole-in-the-wall", served up beautifully crafted drinks and dishes inspired by the Ranchos of Western Mexico, particularly Jalisco. It is mentioned as a "bib gourmande" in the Michelin Guide, which if you know Michelin stars, this is a close as you can get before those illustrious estrellas. We knew none of this when we sat down. I ordered a cocktail with a hibiscus infusion and tequila blanco, and find out that the hibiscus dust-chile rim on my glass is the result of their "zero-waste" garnishes: the hibiscus flowers are infused, then dried and ground into a powder which is then used to garnish my glass, adding a subtle-yet-deep earthy note to the drink. I carefully nurse it throughout the entirety of the meal, it is so good.
Unbeknownst to us, we chose perfectly complementary dishes. Mario orders a 8-hour slow-roasted barbacoa beef, that is garnished with radish and avocado and is oh-so-tender and delicious wrapped in its oil-brushed fresh tortillas. I chose a vegan dish, a pumpkin seed mole and assortment of roasted squashes, which I too can scoop up a tuck into my own warm tortillas. We scoop bites from each others' plates, trade tortillas, dipping pieces into the barbacoa pan and then into the pumpkin seed mole. We lick our fingers with delight, and I childishly ask the waiter, when he comes for the dishes, whether it is considered back form to lick my plate. We express our gratitude to everyone for the absolutely incredible meal, and divulge that they just may have saved us from a mediocre meal at Shake Shack, and everyone is happy. And with that, we roll our way down Columbus Street towards Port Authority Bus Terminal and our return to the hotel.